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by Dan Bimrose Dan Bimrose

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Jayne Mansfield

NO Nude Scenes, Nude Pics, Topless, Full Frontal Nudity, Nude Photos, Playboy Pictorials or Graphic Nudity

Jayne Mansfield Gallery Picture 1 of 3  Jayne Mansfield Gallery Picture 2 of 3  Jayne Mansfield Gallery Picture 3 of 3

Jayne Mansfield (Birthday April 19, 1933 — June 29, 1967) was an actress working both on Broadway and in Hollywood.

One of the leading blonde sex symbols of the 1950s, Mansfield, like Marilyn Monroe, was a Playmate of the Month in Playboy, in February 1955 (preceded by Bettie Page and succeeded by Marilyn Waltz). She appeared in the magazine several more times over the years. She won the Theatre World Award, Golden Globe and Golden Laurel. Mansfield starred in several popular Hollywood films that emphasized her platinum-blonde hair, hourglass figure and cleavage-revealing costumes.



Though Mansfield's career was short-lived, she had several box office successes. As the demand for blonde bombshells declined in the 1960s, Mansfield was relegated to low-budget melodramas and comedies, but remained a popular celebrity. Mansfield died in an automobile accident at the age of 34.

Her birth name was Vera Jayne Palmer. She was born in Bryn Mawr, Pennsylvania, but spent her early childhood in Phillipsburg, New Jersey. After high school she studied drama and physics at Southern Methodist University.

In 1950, Vera Jayne Palmer married Paul Mansfield; thus becoming Jayne Mansfield. Her acting aspirations were temporarily put on hold with the birth of her first child, Jayne Marie Mansfield, on November 8, 1950 at the age of 17. In Dallas she became a student of actor Baruch Lumet, father of director Sidney Lumet and founder of the Dallas Institute of the Performing Arts. On October 22, 1953, she first appeared on stage in a production of Arthur Miller's Death of a Salesman.

Mansfield won several beauty contests while living in Texas, including Miss Photoflash, Miss Magnesium Lamp, and Miss Fire Prevention. The one title she turned down was Miss Roquefort Cheese, because it "just didn't sound right." Frequent references have been made to her very high IQ, which she advertised as 163. She spoke five languages, and was a classically trained pianist and violinist. Mansfield admitted her public didn't care about her brains. "They're more interested in 40-21-35," she said.

Her movie career began with bit parts at Warner Brothers. She was signed by the studio after one of its talent scouts discovered her in a production at the Pasadena Playhouse. Mansfield had small roles in Female Jungle (1954), and in Pete Kelly's Blues (1955) which starred Jack Webb.

In 1955, Paul Wendkos offered her the dramatic role of Gladden in The Burglar, his film adaptation of David Goodis' novel. The film was done in film noir style, and Mansfield appeared alongside Dan Duryea and Martha Vickers. The Burglar was released two years later when Mansfield's fame was at its peak. She made two more movies with Warner Brothers, one of which gave her a minor role as Angel O'Hara, opposite Edward G. Robinson, in Illegal (1955).

She returned to Hollywood from a successful run with Will Success Spoil Rock Hunter?. She starred in the 1955 Broadway production of Frank Tashlin's camp comic film The Girl Can't Help It. (1956) Mansfield's first starring role featured her as an outrageously voluptuous but apparently tone-deaf girlfriend of a retired racketeer

On May 3, 1956, Mansfield signed a long-term contract with 20th Century Fox. She then played a straight dramatic role in The Wayward Bus in 1957. With her role in this film she attempted to move away from her "dumb blonde" image and establish herself as a serious actress. This film was adapted from John Steinbeck's novel, and the cast included Dan Dailey and Joan Collins.

She won a Golden Globe in 1957 for New Star Of The Year - Actress, beating Carroll Baker and Natalie Wood, for her performance as a "wistful derelict" in The Wayward Bus.

Mansfield reprised her role of Rita Marlowe in the 1957 movie version of Will Success Spoil Rock Hunter?, co-starring Tony Randall and Joan Blondell. The Girl Can't Help It and Will Success Spoil Rock Hunter? were popular successes in their day and are considered classics. Her fourth starring role in a Hollywood film was Kiss Them for Me (1957) in which she received prominent billing alongside Cary Grant

Fox tried to cast Mansfield opposite Paul Newman in his ill-fated first attempt at comedy, Rally Round The Flag, Boys, but Mansfield's Wayward Bus co-star Joan Collins was selected for the role. In 1960 Fox lent her to appear in two independent gangster thrillers in England. These were Too Hot to Handle, which was directed by Terence Young and co-starred Karlheinz Böhm, and The Challenge, co-starring Anthony Quayle. Fox also lined up It Happened in Athens. This Olympic-themed movie was filmed in Greece and would not be released until 1962. Despite receiving top billing in It Happened in Athens, Mansfield was relegated to a colorful, scantily-clad supporting role.

In 1963, Tommy Noonan persuaded Mansfield to become the first mainstream American actress to appear nude with a starring role in the film Promises! Promises!. Photographs of a naked Mansfield on the set were published in Playboy. In one notorious set of images, Mansfield stares at one of her breasts, as does her male secretary and a hair stylist, then grasps it in one hand and lifts it high. The sold-out issue resulted in an obscenity charge for Hugh Hefner, which was later dropped. Promises! Promises! was banned in Cleveland, but it enjoyed box office success elsewhere. As a result of the film's success, Mansfield landed on the Top 10 list of Box Office Attractions for that year. The autobiographical book, Jayne Mansfield's Wild, Wild World, she wrote together with Mickey Hargitay, was published right after Promises! Promises! and contains 32 pages of black-and-white photographs from the film printed on glossy paper.

In 1963 Mansfield appeared in the low-budget West German movie Homesick for St. Pauli with Austrian-born schlager singer Freddy Quinn.                                             

By the late 1950s, Mansfield began to generate a great deal of negative publicity due to her repeated successful attempts to expose her breasts in carefully staged public "accidents". Her bosom was so much a part of her public persona that talk-show host Jack Paar once welcomed the actress to The Tonight Show by saying, "Here they are, Jayne Mansfield", a line that was written for Paar by Dick Cavett and became the title of her biography by Raymond Strait.

In April 1957, her bosom was the feature of a notorious publicity stunt intended to deflect attention from Sophia Loren during a dinner party in the Italian star's honor. Photographs of the encounter were published around the world. The most famous image showed Loren raising a contemptuous eyebrow at the American actress who, sitting between Loren and her dinner companion, Clifton Webb, had leaned over the table, allowing her breasts to spill over her low neckline and exposing one nipple.

A similar incident, resulting in the full exposure of both breasts, occurred during a film festival in West Berlin, when Mansfield was wearing a low-cut dress and her second husband, Mickey Hargitay, picked her up so she could bite a bunch of grapes hanging overhead at a party; the movement caused her breasts to erupt out of the dress. The photograph of that episode was a UPI sensation, appearing in newspapers and magazines with the word "censored" hiding the actress's exposed bosom.

Throughout her career, Mansfield was compared to the reigning sex symbol of the period, Marilyn Monroe. Of this comparison, she said, "I don't know why you people [the press] like to compare me to Marilyn or that girl, what's her name, Kim Novak. Cleavage, of course, helped me a lot to get where I am. I don't know how they got there."

Even with her film roles drying up she was widely considered to be Monroe's primary rival in a crowded field of contenders that included Mamie Van Doren (whom Mansfield considered her professional nemesis), Diana Dors, Cleo Moore, Barbara Nichols, Joi Lansing, and Sheree North.

A popular misconception still believed to be true is that Mansfield was a supporter of the Church Of Satan and had an affair with Satanist leader Anton LaVey. In truth, Mansfield posed with LaVey for publicity photos, as did Sammy Davis, Jr. and Mia Farrow

In October 1957, Mansfield went on a 16-country tour of Europe for 20th Century Fox. She also appeared in stage productions of Gentlemen Prefer Blondes and Bus Stop, which were well reviewed and co-starred Hargitay. Dissatisfied with her film roles, Mansfield and Hargitay headlined at the Dunes in Las Vegas in an act called The House of Love, for which the actress earned $35,000 a week. It proved to be such a hit that she extended her stay, and 20th Century Fox Records subsequently recorded the show for an album called Jayne Mansfield Busts Up Las Vegas, in 1962.

With her film career floundering, she still commanded a salary of $8,000-$25,000 per week for her nightclub act. She traveled all over the world with it. In 1967, the year she died, Mansfield's time was split between nightclub performances and the production of her last film, Single Room Furnished, a low-budget production directed by then-husband

Jayne Mansfield released a novelty album called Jayne Mansfield:Shakespeare,Tchaikovsky & Me, on which she recited Shakespeare's sonnets and poems by Marlowe, Browning, Wordsworth, and others against a background of Tchaikovsky's music. The album cover depicted a bouffant-coiffed Mansfield with lips pursed and breasts barely covered by a fur stole, posing between busts of the Russian composer and the Bard of Avon.

The New York Times described the album as the actress reading "30-odd poems in a husky, urban, baby voice". The paper's reviewer went on to state that "Miss Mansfield is a lady with apparent charms, but reading poetry is not one of them."

Jimi Hendrix played bass and lead guitar for Mansfield in 1965 on two songs, "As The Clouds Drift By" and "Suey", released together on two sides.

Though her roles were becoming increasingly marginalized, in 1964 Mansfield turned down the role of Ginger Grant in Gilligan's Island, claiming that the role, which eventually was given to Tina Louise, epitomized the stereotype she wished to rid herself of.

Mansfield was married three times, divorced twice, and had five children. She reportedly also had affairs and sexual encounters with numerous individuals, including Claude Terrail (the owner of the Paris restaurant La Tour d'Argent), Robert F. Kennedy, John F Kennedy and the Brazilian billionaire Jorge Guinle. At the time of her death, Mansfield was accompanied by Sam Brody, her married divorce lawyer and lover at the time.

Mansfield married Miklós Hargitay, an actor and bodybuilder, (publicly known as Mickey Hargitay, who won the Mr. Universe title in 1955). The couple divorced in Juarez, Mexico in May 1963. The Mexican divorce was initially declared invalid in California, and the two reconciled in October 1963. After the birth of their third child, Mansfield sued for the Juarez divorce to be declared legal and won. During this marriage she had three children — Miklós Jeffrey Palmer Hargitay, Zoltán Anthony Hargitay and Mariska Magdolina Hargitay an actress best known for her role as Olivia Benson in Law & Order: Special Victims Unit.

In November 1957 (shortly before her marriage to Hargitay), Mansfield bought a 40-room Mediterranean-style mansion formerly owned by Rudy Vallee at 10100 Sunset Boulevard in Beverly Hills. Mansfield had the house painted pink, with cupids surrounded by pink fluorescent lights, pink furs in the bathrooms, a pink heart-shaped bathtub, and a fountain spurting pink champagne, and then dubbed it the Pink Palace. Hargitay, a plumber and carpenter before getting into bodybuilding, built a pink heart-shaped swimming pool. Mansfield decorated the Pink Palace by writing to furniture and building suppliers requesting free samples. She received over $150,000 worth of free merchandise while paying only $76,000 for the mansion itself.

Mansfield married Matt Cimber (alias Matteo Ottaviano, né Thomas Vitale Ottaviano) an Italian-born film director on September 24, 1964. With him she had one son, Antonio Raphael Ottaviano (alias Tony Cimber).

She had a brief affair with Jan Cremer, a young Dutch writer who dedicated his 1965 autobiographical novel, I, Jan Cremer, to her. She also had a well-publicized relationship in 1963 with the singer Nelson Sardelli, whom she said she planned to marry once her divorce from Hargitay was finalized.

While in Biloxi, Mississippi, for an engagement at the Gus Stevens Supper Club, Mansfield stayed at the Cabana Courtyard Apartments, which were near the site of the supper club. After a June 28, 1967 evening engagement, Mansfield, Brody, and their driver, Ronnie Harrison, along with the actress's children Miklós, Zoltán, and Mariska, set out in Stevens' 1966 Buick Electra 225 for New Orleans, where Mansfield was to appear in an early morning television interview. Prior to leaving Biloxi, the party made a stop at the home of Rupert and Edna O'Neal, a local family that lived nearby. After a late dinner with the O'Neals, during which the last photographs ever taken of Ms. Mansfield were shot, the party set out on the trip to New Orleans. On June 29 at approximately 2:25 a.m., on U.S. Highway 90, the car crashed into the rear of a tractor-trailer that had slowed down because of a truck spraying mosquito fogger. The automobile struck the rear of the semi tractor and underrode it. Riding in the front seat, the adults were killed instantly; the children riding in the rear survived with minor injuries.

Rumors that Mansfield was decapitated are untrue, though she did suffer severe head trauma. This urban legend was spawned by the appearance in police photographs of a crashed automobile with its top virtually sheared off, and what resembles a blonde-haired head tangled in the car's smashed windshield. It is believed that this was either a wig that Mansfield was wearing or was her actual hair and scalp. The death certificate stated that the immediate cause of Mansfield's death was a "crushed skull with avulsion of cranium and brain." Following her death, the NHTSA began requiring an underride guard, a strong bar made of steel tubing, to be installed on all tractor-trailers. This bar is also known as a Mansfield bar.

Mansfield's funeral was held on July 3, in Pen Argyl, Pennsylvania. The ceremony was officiated by a Methodist minister, though Mansfield, who long tried to convert to Catholicism, had become interested in Judaism at the end of her life through her relationship with Sam Brody. She is interred in Fairview Cemetery, southeast of Pen Argyl. Her gravestone reads "We Live to Love You More Each Day". A memorial cenotaph, showing an incorrect birth year, was erected in the Hollywood Forever Cemetery, Hollywood, California. The cenotaph was placed by The Jayne Mansfield Fan Club and has the incorrect birth year because Mansfield herself tended to provide incorrect information about her age.

Shortly after Mansfield's funeral, Mickey Hargitay sued his former wife's estate for more than $275,000 to support the children, whom he and his third and last wife, Ellen Siano, would raise. Mansfield's youngest child, Tony, was raised by his father, Matt Cimber, whose divorce from the actress was pending when she was killed. In 1968, wrongful-death lawsuits were filed on behalf of Jayne Marie Mansfield and Matt Cimber, the former for $4.8 million and the latter for $2.7 million. The Pink Palace was sold and its subsequent owners have included Ringo Starr, Cass Elliot, and Engelbert Humperdinck. In 2002, Humperdinck sold it to developers, and the house was demolished in November of that year

No Nude Scenes, Nude Pics, Topless, Full Frontal Nudity, Nude Photos, Playboy Pictorials or Graphic Nudity,

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